Her work is greatly influenced by Italian product design and this is quite clear from the overall style of the ceramic forms she creates. Surface texture is particularly important to her, the contrast between the rough and the smooth, jagged lines lie next to organic formations. However, perhaps the most influential arena for her work, if not a little unusual, lies within the forum of sexual fetishism. Although portrayed in a subtle manner, this influence is very apparent. Does fetishism, after all, not reside within the boundaries of conformism?
She aims to produce a variety of clays and firing techniques enabling her to produce a diverse range of forms but keeps glazing to a minimum so as not to detract from the form's individual status.